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WEN WU – DECADENT DYNASTY ( 26TH MAY– 26th JUNE 2010)

Wen Wu's inspiration has developed since she was a little girl. Initially she was captivated by female beauty, now her work explores young men through the eyes of her alter ego, a timeless middle aged, gay man.

For this exhibition Wen is continuing to develop fresh techniques and maintains a dynamic practice while exploring new approaches. She combines classical Chinese methods and Western stylistic devices in a contemporary style. Wen joins perspectives from different histories and cultures with a result that she calls ‘the beautiful'. In her latest series of paintings - ‘Decadent Dynasty', Wen is reflecting on her Chinese roots and her culture's attitude to love.

Whilst visiting China, Wen documented what she describes as ambiguous atmospheres; such as Dong Dan park in Beijing – a traditional place for gay men meet. She was inspired by the way that the men, in search of a partner, seemed to drift around the little hill in the park, like lost souls. She has also been inspired by the Chinese novel – ‘Dream of Red Chamber'. Her most recent large scale painting (450cm x 240cm) reflects this, creating an ideal dream space based on the interior garden described in the novel, inhabited by more than 50 figures transposed from the hill in Dong Dan Park.

Wen's passion for film is currently manifested as an installation comprising a story board of 12 paintings, together with a large scale work, forming a poetic narrative. The first group of images as an introduction, affording the audience a way to enter into the main feature, with the second group consummating the piece. This being said, each piece also stands up as an accomplished artwork in its own right.

Sartorial is opening its door to tell the story of Wen Wu while the artists opens her heart to tell you about ‘the beauty' in a enchanting, romantic and exquisite way.


Decadent Dynasty 2010. Oil on canvas (240 x 460cm)

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WEN WU - THE PORTRAIT ( 11 SEPT – 1ST OCT 2008)

Wen Wu grew up in the strict and repressive atmosphere of Communist China. Immersing herself in art was her freedom. Wen's imagination has been captured by the relationship of beauty and death within nature, such as the self-destruction of a moth that is unable to stay away from the flame and the graceful and wonderful leopard that can be capable of great cruelty. These creatures appear in her work like symbols representing different aspects of her concerns

Wen's art world influences include the decadent high society paintings from the 18th Century and also Velazquez, and his 17th century portraits of courtesans.

She has invented an alter ego. Her creation is a middle-aged man who lives in Ancient Greece, and has a fondness for beautiful boys.  She thinks about what work this character would make if he were alive and then makes it herself. Her portraits investigate notions of privacy, and question the extent to which ones thoughts should be revealed in public. Wu positions the viewer as a voyeur witnessing a moment of an erotic fantasy in a secret diary - the same fantasies which Wu explores through the mask of her alternative persona.

Wen picks and chooses aspects of different histories and cultures and puts them together however she feels fits. The series of paintings Wen has made for this show explore the idea of beauty. Her different influences have resulted in highly imaginative works that are erotic, vibrant and unique.


Hero Beauty
, 2008. Oil on canvas.

 


Never Regret, 2008 . Oil on canvas...........................................................................

 

 



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